University of Texas
Elizabeth Eberle
Spouse of Conrad Louis Benoni Shuddemagen
June 3, 1894–March 22, 1976

 

 

Elizabeth Eberle

Elizabeth Eberle

Introduction

First, I wish to acknowledge the invaluable help of Paula Eberle Worgan, grand-niece of Elizabeth Eberle Shuddemagen. Paula provided most of the pictures related to the Eberle family. She generously maid me the originals for scanning and shared recollections from Irmmengarde and Hulda, sisters of Elizabeth Eberle. The pictures, in addition to enhancing the site, opened up additional research that led me to connections between te Shuddemage family and the Romberg Family. In return i have been able to introduce segments of her family that was largely unknown to her. She has been so easy to work with and and has generously given many hours of her free time.

Some may question the extensive writeup on the Eberle family. My defense is many fold: Elezabeth was an important supporter of Conrad, his successes must be shared with her, theirs was a very interesting life and would be incomplete without her family details. Finally, there is a family connection with Arnold Romberg, a celebrated UT professor of physics. Lois Holt Mallory's proofreading has be invaluable.

 

Marcellus and Louise Perlizt Eberle
Photo location Austin or Belton, Texas

Elizabeth O. Eberle was born June 3, 1894, in Williamson County, Texas to Marcellus and Mary Louise Perlitz Eberle. At right we see likely their wedding picture ca. 1892. Marcellus was born in Lichtenstein. Elizabeth was the second of three daughters, Hulda (Dec 10, 1892–March 8, 1979) and Irmengarde (1898–1979). Mary Louise, a beautiful woman , died during the birth of daughter, Irmengarde. Marcellus, devastated, died shorty afterwards. Elizabeth and her two sisters, lived with their grandmother, Frederika, and aunt, Elsie Perlitz, in San Antonio, TX until adulthood.

 

Early Family History

Elizabeth's grandparents, Friedrich August Perlitz and Caroline Louise Mager, married in 1835 in Germany. They came to Texas in 1848, accompanied by their children Carl (12), Anna (10), Caroline (5) and Friedrich “Fred” Werner (1). Carl was 38 and Caroline was 27. The “Forty-Eighters“ were Europeans who participated in or supported the revolutions of 1848 that swept Europe. In the German states, the Forty-Eighters favored unification of the German people, a more democratic government, and guarantees of human rights. Disappointed at the failure of the revolution to bring about the reform of the system of government in Germany or the Austrian Empire and sometimes on the government's wanted list because of their involvement in the revolution, they gave up their old lives to try again, abroad. Many emigrated to the United States, England, and Australia after the revolutions failed. These emigrants included Germans, Czechs, Hungarians, and others. Many were respected, politically active, wealthy, and well-educated; as such, they were not typical immigrants.

Germans migrated to developing midwestern and southern cities, developing the beer and wine industries in several locations, and advancing journalism; others developed thriving agricultural communities.

Galveston, Texas was a port of entry to many Forty-Eighters. Some settled there and in Houston, but many settled in the Texas Hill Country in the vicinity of Fredericksburg. Due to their liberal ideals, they strongly opposed Texas's secession in 1861. In the Bellville area of Austin County, another destination for Forty-Eighters, the German precincts voted decisively against the secession ordinance.

Friedrich, a civil engineer, and Caroline Perlitz were the parents of Carl Perlitz, father of Louise Perlitz, Elizabeth Eberle’s mother. Carl was born October 25, 1836, in Salzwedel, Altmarkkreis Salzwedel, Sachsen-Anhalt, Germany. During the American Civil War, Carl, along with Johannes and Bernhard Romberg sought refuge in Mexico, Central America and California. They were not sympathetic to the Southern cause. Carl S. Perlitz and Frederike “Rike” Romberg were married in Black Jack Springs, Texas on July 11, 1868. An account of their wedding was given by her sister, Louise Romberg Fuchs. “Sister Rike’s engagement to Carl Perlitz came to pass while she was feeding the chickens. That was during Lina’s engagement, and the sisters’ wedding was at first planned for the same day, July 10, 1869. But Carl Perlitz’s mother wished that the sisters would not marry on the same day, and Rev. Fuchs was willing to marry Rike and Carl Perlitz one day earlier, although he had already prepared one wedding sermon for both couples. On July 10, Rev. Fuchs gave his festive wedding sermon, and the main celebration was on that occasion, which was also Father and Mother Fuchs’ wedding day. Lina Perlitz was at that time already our sister-in-law, for Bernhard and she became engaged after the return home of my two oldest brothers, who with Carl Perlitz and many other friends and acquaintance had left the country so they would not have to fight against their convictions in the Civil War. Johannes met and won his wife much later. She was Caroline Bühring from Germany, a music teacher. She had a fine voice, and he and she sang many songs to her accompaniment.”

Carl and Rike’s children included Louise, Marie, Anna, Julia, Lina, Elsie, Meta and Erich. In 1978, Carl and Frederike moved to a sheep ranch they had bought in Cypress Mill. High tariffs on imported wool made sheep ranching very profitable and there were many such ranches in Central Texas. The Cypress Mill community was 40 miles east of Austin, just north of Pedernales Falls State Park. Carl built a house, barns and fences on his new ranch, however, he sold it in 1982 to Johannes Romberg. He then bought a blackland farm in Williamson County. Frederika wrote her sister, “The children enjoy the new piano and practice diligently...Little Erich is getting into his mischievous years. Fortunately, there are many little guardians, who can look after him. We had a good fireplace to keep us warm during this cold winter.”

Further comments were made by Rike’s sister, Louise.”My youngest sister, Rike, was left a widow with seven daughters and one son, who was not yet of school age. On the farm and later in the city, they all studied and worked with all their strength, in order to make a living. The oldest daughter and her husband died and left behind three little girls (Hulda, Elizabeth and Irmengard), who were brought up by the grandmother and aunts. Some of Rike’s daughters are teachers and graduates of the University and have accomplished something.’

“The oldest of the Eberle girls, the three little grandchildren, became a teacher, the second a sculptor in Chicago, and the youngest a journalist. This youngest girl, like the oldest, exercises her profession in New York. The names of the girls are Hulda, Eliabeth, and Irmengarde Eberle.

This spring Sister Rike Perlitz was with me and related many things about her life and her trip to Chicago, Buffalo, and New York in the year 1926 to visit several of her grandchildren and children.'

“Her daughter Lina, who before her marriage to Helon MacFarland, was for many years a teacher and Dean of the College of Industrial Arts in Denton, Texas, sent her the money for the trip, so that she could show her mother her home in Buffalo, after enjoying herself in the large cities. It was a pleasure for me to hear about all the relatives, especially of Marie, her second daughter, who as a girl and young woman painted a great deal, and later also drew wild flowers for her husband Bernhard Mackensen’s botanical writings or reports for school and scientific societies, and who now, after she has been a widow for years, and her three children are independent, is again taking lessons in art at C.I.A. in Denton. Everything Rike told interested me, also how she always had cheerful jokes interspersed with many earnest thoughts.'

“At Easter I had another pleasure: Brother Bernhard’s youngest son, Arnold Romberg, with his wife and Rike’s daughter, Elsie, came from Austin to take Sister Rike home. What a pleasure it must be for Brother Bernhard that his son could study the same subject that always interested him, so that he now is professor of physics at the State University. And that Elsie Perlitz teaches German there also makes Sister Rike and me happy. Now Rike is at home again and takes care of the members of her household and her flowers — always cheerful and brave. In that we are similar: both have to see something blooming and in spite of much work must take care of a few flowers.”

Frederike Romberg’s father was Johannes Christlieb Nathanael Romberg. He married Frederike Amalie Elise Bauch. He is often referred to as the German Poet Laureate of Texas due to his very popular and widely acclaimed book of poems published posthumously in 1897. The American-German Review said of Romberg in 1946, "His judgement in his own poetry is too modest. In pleasing, unaffected style and with complete mastery of the poetic form, he interprets life as he feels and sees it."

Johannes Romberg was born in Hagenow in Mecklenburg-Schwerin in Germany, the only son of Pastor Bernhard Friedrich Christlieb Romberg and Conradine Sophie Friederike Hast. Due to the repressive political climate of his home country, Johannes and his wife, Friederike, along with his then six children emigrated to Texas in 1847 via the port of Galveston, shortly after Texas's statehood. He ultimately settled in Fayette County, where he started a popular literary society, the Prarieblume, which flourished until the Civil War.

In 1891, Carl Perlitz died. His wife, Frederike, died November 24, 1930, in San Antonio while living with her daughter, Anna. Anna never married.

 

 

 

 

 

 

Carl and Frederike Perlitz Family.

The Perlitz family was an especially talented family with many accomplishments. We include here a write-up on each of the children and, when possible, a picture. We follow that with a history of the three daughters of Louise Perlitz. Louise was the oldest daughter of Carl and Frederike.

 

Carl and Friedricke Perlitz Photo and Document Album

Here, we see four of the Perlitz children, Meta, Lina, Elsie and Erich. Missing are the older girls, Louise, Marie, Anna and Julia. Below is a picture of Louise and Julia. Picture from 1883 in San Antonio, TX. Photo by Wm. Tauch, photographer in Schulenburg, Texas.
Friedricka Perlitz and daughter, Julia, 1877.
Friedricka was grandmother of Elizabeth Eberle.
Julia Perlitz: Julia was born November 12, 1873 in Fayette County, Texas. She attended the University of Texas. She was a teacher in the public school system of San Antonio, Texas. In 1932, Julia was living in Austin; she and Elsie did a tour of New England in July of that year. She lived with her sister at the Kocolok Rest Home at 1028 Blanco Rd. at the end of her life. She died May 10, 1952 and is buried in St. Johns Lutheran Cemetery Old, San Antonio, Texas.
Friedricka Perlitz Obituary
Frederike, died November 24, 1930, in San Antonio while living with her daughter, Anna. Anna never married. .
Louise Perlitz, mother of Elizabeth Eberle
Louise and Julia Perlitz. Picture from 1883 in San Antonio, TX. Photo by Wm. Tauch, photographer in Schulenburg, Texas.
Marie Perlitz, She was born on March 11, 1870, in Blanco County Texas. She married Bernhard Mackenson. Marie and Bernhard had a son, Otto Mackensen, and two daughters, Ella Mackensen and Verona Mackensen Cook. Marie died in San Antonio on June 11, 1943. Her funeral service was conducted by the Rev. Milton Maxwell of the Congregational Church of Austin. Her sister Elsie was a member of the that church and likely arranged for Rev. Maxwell to officiate. Marie and Bernhard are buried in St. Johns Lutheran Cemetery Old, in San Antonio. Bernhard was born Apr. 8, 1863, in Bell County, Texas, USA. He was the son of Otto Mackensen. He graduated with a BS from the University of Texas in 1895. He earned an MS in botany from the University of Chicago in 1913. He was head of the Science Department at San Antonio High School. He is the person at right from the 1905 San Antonio High School yearbook, The Coyote. He, along with George W. Brackenridge, were charter members of the Scientific Society of San Antonio, established 1905. In 1908, Bernhard gave a talk to the society entitled, The Work of the Delegation for the Adoption of an International Language. He donated a number of Mexican plants to the society's museum. He died on Jun. 8, 1914, in San Antonio, Texas.
From The San Antonio Light, June 10, 1914:

"The funeral of Prof. Bernard Mackensen was held Tuesday afternoon from his residence, 728 Aganier Avenue. Attending was a large number of friends, close companions and former pupils of the teacher who had caught inspiration from his genius and kindly nature. With simple ceremony the Rev. George Badger of the Unitarian Church conducted the services at the home and at the grave. Interment was made in the old Lutheran Cemetery. “

Wedding picture of Bernhard and Marie Perlitz Mackenson.
Marie was the sister of Louise Perlitz, the mother of Elizabeth Eberle.
Picture from about 1880 in San Antonio, Texas..
UT Class of 1895 from 1895 Cactus yearbook. Bernard Mackenson is at left end of the second row, with the moustache.

Ella Mackensen, daughter of Bernard and Marie Mackensen.
Ella was born July 22, 1892 and died in San Antonio, March 4 1980.
She was a private piano teacher in Austin and San Antonio.

Erna Bernhardine Romberg Bartels wrote, "My first cousin, Ella Mackensen, was only six months older than I, so we would be compared. When I was about fifteen, Mother took a trip to San Antonio with my brothers, Herman and Carl, and me. Ella was taking piano lessons; so Mother taught me to play a piece so that I would not appear to be untalented."

Anna Perlitz: She was born July 4, 1871 in Blanco County, Texas. She owned her own home in San Antonio and she never married. She was a member of the General Alliance of Unitarian and Other Liberal Christian Women in San Antonio. In 1923, Anna helped organize the library of the Scientific Society of San Antonio. She died on May 14, 1956, in the Kocolok Rest Home at 1028 Blanco Rd., very near the home she lived in most of her life. She had been in the home for 2 years. She was cremated. She is buried in Mission Burial Park South, San Antonio..
Front Row: Mabel Girvin Ellis, Ebenezer Henry Girvin, Guy Elmer Girvin, Mary Melissa Bryson Girvin. Back Row: Walter Lee Girvin Sr., Fitzhugh Girvin (husband of Meta Perlitz, Julia Ann Girvin Volz,
Lina Perlitz: Born November 18, 1974 in Cedar, Fayette, Texas to Carl and Fredericka Romberg Perlitz. In 1900, Lina, Annie and Julia Perlitz were living in the household of Bernhard and Lina Romberg. Also there is a four-year-old Louise Eberle. Lina attended the University of Texas at Austin, earning a BA in 1906. In April 1910, Lina applied for a passport to visit Europe. She was teaching at the Texas State Women’s College in Denton, TX. She returned in September of 1910. She was 5 feet 5 inches tall and had blue eyes. In 1920, she made another trip to Europe. She had been Dean of Women ten years, on this trip she met Mr. Helon McFarland. When they married, he worked in Chicago for the Sante Fe Railroad. Then they moved to Buffalo, New York, and finally to Austin, Texas. In his retirement years there he made and sold wooden toys for children.

The 1920 census has her as a dean of women at the College of Industrial Arts in Denton, Texas. Lina was a professor of French as well as dean of women. She started the French Club there. She is shown at right in a photo from the TSWC 1917 yearbock.

Lina died in Seton Hospital in Austin, Texas, November 27, 1962. She was widowed at the time of her death. Her husband was Helon B. Macfarland, a celebrated engineer who had died in October of the same year. The informant on death certificate was E. C. Girvin, likely her nephew, son of her sister, Meta Perlitz Girvin. She lived in Austin from 1940 until her death. She lived at 4515 Avnue D at the time of her death.

They were both members of the Congregational Church of Austin.

Erna Bernhardine Romberg Bartels wrote, "We also visited in the home of Aunt Friederike Romberg Perlitz. Her daughter, Lina Perlitz, thought it was a calamity that her mother had a house full of women — at times five unmarried daughters and three orphan granddaughters (the Eberle girls). Several times Lina said, "Ella (Mackensen), you shall marry." Lina's effort to influence Ella may have appealed to Mother, for Mother was so determined to get me "under the hood" (once worn by married women) that it made me stubborn. I made no fancy work for a hope chest. Mother said, "Bist wohl eine trockene Jungfrau!" (You probably are a dried out maiden.) At another time Mother said, "Du bist wohl ein Blaustrumpf.“ (Might you be a blue-stocking?) It was Mother's opinion that blue-stockings make poor housekeepers, and she knew examples of that. I'll admit that at that time it was better for a girl to marry and raise a family than to stay single and try to earn a living and later have no children to live with."

 

Lina Perlitz

Helon MacFarland, husband of Lina Pertlitz. Lina married Helon Brooks McFarland (August 16, 1868–October 7, 1962). Helon was born in Maine and was a railroad engineer. He graduated from Worcester Polytechnic Institute in 1894. Helon Brooks, son of Daniel Y. and Hannah (Brooks) McFarland, was graduated from the Bucksport Seminary in 1891 and from Worcester Polytechnic Institute, June 1894; he received the Master of Mechanical Engineering degree from Cornell University in 1903. He married Olive F. Chadwick of Bucksport, Sept. 5, 1895. For a number of years, Mr. McFarland engaged in teaching. He was assistant professor of thermodynamics at Armour Institute of Technology, Chicago, from 1903 to 1909. Later, he was an Engineer of Tests of the Atchison, Topeka and Santa Fe Railway. Professor McFarland has been editor of "Gas Power” since 1905. He was a contributor to scientific magazines and has published "Standard Reduction Factors for Gases," "Superheater Tests,” "Solution Exponential Equations," and other technical monographs. His 1908 picture is below as a faculty member at the Armour Institute of Technology in Chicago. When Helon and Lina married is not known at this time. He died in a retirement home in Austin at the age of 94.
Lina Perlitz
Lina Perlitz, 1915.
Lina Perlitz, Miss Mizell, Annie Romberg and Unknown little neighbor girl.
Lina Perlitz, Photo above from U. Texas 1906 Cactus yearbook. Lina is at right. The inscription for Lina says, “She had a sunny disposition that sought, like a flower in a dark place, for the light.” She had a scholarship for four years from Sons of Hermann. Her brother Erich died in their Old Folks Home
In 1919, Lina applied for a passport to study at the Sorbonne in Paris during 1920. The document below has her passport picture and the interesting instruction that the passport is to be sent to I. Eberle in New York City. This is Irmengarde Eberle, her niece.

Elsie’s senior picture from the Southwest Texas State Normal School 1912 yearbook, Pedagogue.

Elsie Perlitz: Elsie, shown at right, was born August 4, 1877 in Cedar, TX. She did not marry. She was a teacher in Fayette County, Texas in 1899. Elsie became a member of the Scientific Society of San Antonio in 1916. In 1912, she graduated from the Southwest Texas State Normal School. She was an elementary school teacher at Beacon Hill Elementary in San Antonio in 1917. She graduated from UT in 1923 with a BA in Germanic languages. She earned an MA in 1925. Her thesis was entitled, Zur Neuhochdeutschen Wortstellung. (New High German Word Order) She was a member of Phi Beta Kappa in 1923. She was also on the Littlefield Dormitory staff and a faculty sponsor of the German Club. In 1928 she took a trip to Europe. She returned to New York from Southampton on the S. S. Stuttgart. At the time, she was living at 609 West 23rd Street, Austin, Texas. In the 1930 Census, she was a German teacher at University of Texas.

Elsie Perlitz
Schulenburg, Texas newspaper, January 26, 1899. Elsie Perlitz is mentioned in second paragraph.
Schulenburg, Texas newspaper, January 26, 1899. Elsie Perlitz is mentioned in second paragraph.
Elsie Perlitz home at 4515 Avenue D, Austin, TX. The house was built in 1935 by Elsie Perlitz, who rented it out before moving into it around 1941. Elsie Perlitz was a public school teacher in San Antonio, who then went on to teach at the University of Texas. She rented this house out to a high school teacher in the mid- 1930s and an inspector for the U.S. Bureau of Reclamation in the late 1930s, while she lived with family members close to the university campus. The house was listed as vacant in the 1941 city directory; from around 1941 to around 1948, she lived here, while teaching at the University of Texas. Her sister, Lina Perlitz MacFarland, and Lina’s husband, Helon MacFarland, are then shown as the owners of the house until their deaths in 1962. Helon MacFarland was a native of Maine, and was a mechanical engineer and a railroad engineer. He had been married before; Lina was an educator her whole life, and was the dean of women at the College of Industrial Arts, later Texas Women’s University. After her death (one month after her husband’s death), the house became a rental property. Below is a photo of the house after some improvements.

Elsie Perlitz home. Demolished in 2015.

Elsie Perlitz (ca. 1941 – ca. 1948) Elsie Perlitz appears in the 1940 U.S. Census as a resident in the home of Marie Mackesson at 2601 Wichita Street in Austin. Elsie Perlitz was Marie’s aunt. She was 52, had been born in Texas, and was an instructor at the University of Texas. Marie Mackesson was a 70-year old widow who had been born in Texas and was a housemother in a private home. She had a daughter, Ella, 48, who had been born in Texas and had no occupation listed. The 1930 U.S. Census shows Elsie Perlitz as a lodger in the home of William and Gladys Matthews at 606 W. 18th Street in Austin. Elsie Perlitz was a teacher at the University of Texas. The 1920 U.S. Census shows Elsie Perlitz as the daughter of Frederike Perlitz, a 72-year old German-born widow, who owned her own home in San Antonio. Elsie was a 42-year old public school teacher. Her older sister, Lina (later Lina MacFarland) was 45, and the dean of women at the industrial college. Also in the household was Elisabeth Eberle, a grand-daughter, who was 25, and a sculptress. Elsie Perlitz died in December, 1964 in Polk County, Florida.

Erich Carl Perlitz: He married Mariechen Behnsch (188–?) on September 10, 1901. They had a daughter, Hortense (April 25, 1914–?). He was born March 15, 1881 in Blanco County, Texas. He died in the Herman Sons Home for the Aged in San Antonio on November 22, 1961 and is buried in the Herman Sons Cemetery (Altenheim Cemetery), Kerr, TX. He was a carpenter. He was tall, slender build and had blue eyes.

Hortense, Erich and Marie Perlitz’s daughter, from the 1931 Brackenridge High School yearbook, La Retama, San Antonio, TX. Hortense may have married Gilbert Joseph Chamartin (1909–1985).

 


Elizabeth Eberle Schuddemagen

As stated earlier, after their parents' death, Elizabeth and her two sisters lived with their grandmother, Frederika, and aunt, Elsie Perlitz, in San Antonio, TX, They lived on Blanco Road and Summit Avenue. The home is shown at right.

 

 

 

 

 

 

 

 

 

 

 

 

As the 1907 newspaper entry below reveals, Elizabeth showed her artistic talents quite early.

Elizabeth enrolled in the College of Industrial Arts in Denton, TX around 1910-11. There are photos of her in the 1911 yearbook, The Daedalian,. According to the 1940 census, she had four years of college work. Following graduation, she enrolled in the Art Institute of Chicago, studying with various artist. She returned to Texas and studied anatomy at the Medical College at Galveston, “making thorough and invaluable research into it as it pertains to art.”

In 1915, Loredo Taft invited Elizabeth to come to Chicago to work on his sculpture, Fountain of Time. She remained there for two years.

In 1918, the Art Institute of Chicago held an exhibition of works by its former students and instructors. A silver bracelet by Elizabeth was exhibited. Presumably she attended the institute while working with Taft.

In addition to her college pictures, several pictures were recently provided (2015) by her grand-niece, Paula Worgan.

In 1915, Hulda, Elizabeth’s older sister, was a school teacher in San Antonio. In 1919, Hulda was employed as a newspaper clipper at the University of Texas, and in 1920, she traveled to Puerto Rico. She remained there two years, returning in 1922. She worked with a number of schools. She is shown at right talking with young boys along a river. At left she is resting under mosquito netting in PR. She visited Culebra Island for a weekend.

 

 

 

 

 

 

 

 

 

Elizabeth's sister, Irmengarde, became a successful author of children's books. After graduating from Texas State Women's University, she moved to New York with an art teacher and worked as a drapery fabric designer. However, because of her love for writing, she later took a job editing magazines She also did freelance writing on the side. She worked for Excella Magazine from 1924–1926, the New York Theater Programs from 1927–1928, and New York Woman from 1937–1938. In 1929, Irmengarde has a son, Chester Paul Eberle. The father was the newpaperman and writer, Chester T. Crowell. They never married. Crowell had also grown up in San Antonio, Texas. In 1923, Crowell became an editorial writer for the New York Evening Post. From this time until his death in 1941, he did free-lance writing. In 1924, Crowell was awarded the O. Henry Short Story Award for his short story "Margaret Blake." Another story, "Ruth," was included in a book of the world's 100 best. Yet another of his short stories was published in the O'Brien collection of 1924, entitled The Twenty Best Stories of the Year. Crowell was a member of the Authors League of America. He was also a Democrat and paid careful attention to politics. When he moved to Washington, he was appointed special assistant to the secretary of the treasury. After resigning from this position, he wrote Recovery Unlimited: The Monetary Policy of the Roosevelt Administration (1936), one of his best-known books. In 1940, Irmengarde was an editor with a WPA project. Eventually she got a job as the children's book reviewer for the New York Herald in 1948.

Her first book was published by Stokes, Picture Stories for Children (1921), which she sold outright for $150. Ten years later, she sent out her second manuscript Hop, Skip and Fly which was published in 1937. She also published books under the pseudonyms of Allyn Allen and Phyllis Ann Carter. She is noted for her biographies and books about nature and science, particularly her Lives Here series, in which she wrote about various animals and their habitats and her New World series about glass, paper, fabric, and rubber. At her death on February 27, 1979, she had written 63 children's and young adult books. More photos included at end of page.

Conrad, 48 and Elizabeth, 34 were married on June 10, 1928, in St. Joseph, Berrien County, Michigan, less than 100 miles from Chicago, their residences. He was listed as a publisher and she was a sculptress. George C. Horst, German-born Congregational minister, performed the service. (On a trip to Canada, Elizabeth listed her religion as Unitarian.) Dorothy Horst, George’s wife, and Frank C. Hewing were witnesses, both from St. Joseph, Michigan. Father of Conrad was listed as John A., mother’s maiden name as Franke. Elizabeth’s father’s name was Marcellus and mother’s maiden name was Perlitz.

In the summer of 1932, Elizabeth, along with many others, was rejected in her effort to cross the Peace Bridge into Ontario. No reason was given. The document lists her as 5 ft 7 in, brown hair and eyes, dark complexion and a sculptress. The document implies she will do some work as a sculptress at her destination which is Crystal Beach, where her Aunt Lina, Mrs. H. B. MacFarland, lives. (Conrad and Elizabeth were also cousins to Arnold Romberg, professor of physics at UT.)

Thursday, May 8, 1920, San Antonio Evening News
(Additional photos have been added by Mel Oakes)

SAN ANTONIO SCULPTOR
PLANS ART COMMISSION

"The Pan Fountain exhibited at a studio tea given at Miss Elizabeth Eberle’s studio is among the several works just completed by the San Antonio sculptor. The fountain is an over-life size study of the Greek god Pan, designed from marble.

"Usually, Pan, the cloven-hoofed god of flocks, pastures, forests and their wild life, does not frequent city-ways and by-ways. The Pan tea given in the studio of Miss Elizabeth Eberle, sculptor, at 212 College Street, was the exception that proves the rule.

"For in the workshop of the ever-enduring art, sculpture, surrounded-by-water sprites and other sculptured groups and patriots and amid vases of Texas wild flowers, the great god Pan was as much as in his original seat of worship in Arcadia. The studio tea was given Tuesday by Miss Lucy Maverick in honor of Miss Eberle, when a number of art-loving friends were invited to attend the exhibition of some of the most recent work by the young sculptor.

"Preeminent among the exhibitions on view Tuesday was Miss Eberle’s conception of Pan, a fountain. This is an over-life-size figure of the mythological god of the earth, Pan. Like the satyr, it is half human and half goat, having the legendary goat hoofs. Somewhat whimsical perhaps in his smile, yet the composition is redolent with the clean woods atmosphere of Pan’s original haunts. Something of the early Greek interpretation of the rustic god of the earth rather than the later interpretation that came with Christianity is suggested in the kindliness of the fountain—the receptacle for water.

"Technically, the strong figure of the god is so compact that it conforms fully to the sculptural law laid down by the greatest of all sculptors, Michelangelo, namely that sculpture should be so compact that it could be rolled down a hill without a piece being broken off. In fact, as the beholder studies the work, he or she can imagine that Pan, as he sits with his fountain clasped tightly in his massive arms, would rather enjoy tumbling down a hill. Miss Eberle, being of the opinion that the subject is particularly fitted to be hewn out of a block of marble, as it is supposed to be Pan, a character of earth breaking into molded stone.

PUBLIC WILL SEE MASTERPIECE

"Incidentally, it may be mentioned that this composition received high recognition in Chicago. It will be on exhibition at Joske Brothers’ department store for a week, beginning on May 7. Thereafter, it will be shown at Hummert’s on West Commerce, about a week, beginning on May 14.

"Another work completed by the sculptor since her return to San Antonio is a portrait of Miss Dorothea Holt, now Mrs. Duncan M. Solenberger of Cleveland, Ohio. The portrait of Mrs. Solenberger, which was also on exhibition yesterday, commands attention through its unusual biographical character. It might be a Florentine lady with her netted hair and decorative head. It is almost severe, yet full of womanly dignity and character.

"Indeed the portrait is almost the ideal of womanhood. Not only is it a credit to the artist, but to the woman who looks that lovely and strong. It is interesting to trace the lines of thought followed by a discriminating artist in modeling the portrait. Someone has said that the head is such that it might look down from a Gothic cathedral. Again, there is a trace or a suggestion of the Slavic in the work, to which Miss Eberle replies that the sitter reminded her of Tchaikovsky music.

"Other portraits on exhibition yesterday were a bust of J. A. Grumbles (picture at left. He served as president of the NAACP in San Antonio), a Negro benefactor of the Negro community house, and a portrait of a janitor, which is a truthful study of the semi-Aztec type. One of the interesting studies which Miss Eberle is now working on is an over life size bust of Commissioner Ray Lambert. Though this composition is now in the clay state, it was on exhibition yesterday and received much admiration and favorable comment.

"Several ideal groups seen yesterday offer a strong bid for competition, the newer portraits and the more ambitious Pan fountain. Among these is a small group, The Water Sprites, which suggests the deep stillness and the gurgling playfulness which makes up the never-ceasing contrasts of water. The calmness that comes with depth is the striking characteristic of the mature woman’s figure, which holds in its arms the younger, effervescent child which gives the contrasting side of The Water Sprites. Every line and every curve bespeaks the personality of the separate stories. Others in the ideal group is the Cello Player and Life and Ideal.

OTHER STUDIES ON EXHIBIT

"Another study on exhibition is a little figure of aspiring youth, Aspiration, designed as a light holder in bronze. Aspiration is the figure of youth standing with arms outstretched toward heaven.

"Another work produced by Miss Eberle during her present stay in San Antonio is a conventional figure of An Assyrian Lion. Since this study has been completed and placed in a San Antonio home, only photographs of the composition were on exhibition yesterday.

"In addition to Miss Eberle’s compositions, the studio walls were hung with several compositions by Miss Lucy Maverick. Among them were several delightful landscapes and a study in Batik work.

"Just as the young sculptor’s work sings with the inspirational message of true art and idealism, so is Elizabeth Eberle striving to bring a true realization of the meaning of art and civic beauty to San Antonio. Her genius in producing the sublimity of life in marble is devoted not to selfish aims, but to San Antonio. Talk with her a few moments and almost invariably she will express some dream for the artistic life of San Antonio—the preservation of a historic building, the planning for the city’s expansion, all of which can be guarded through an art commission.

"In fact, plans for the formation of an art commission in San Antonio were announced at the studio tea Tuesday afternoon. Artists interested in the formation of an art commission are sending out letters to club organizations and private individuals asking for their cooperation. Club women are invited to take part in forming the commission, which will be headed by an art commissioner from the city administration. Commissioner Ray Lambert has endorsed the plan.

"Concerning the work of the commission the letter says:

“Topographical surveys, maps, studies of land and building values, statistics of traffic, of industry and the density of population, should be made available. Transportation and housing problems, districting into residential and manufacturing sections, and the regulation of skylines are problems that should be studied. A successful plan will provide for San Antonio’s growth and development 50 years ahead, and will do away with the terrific waste that lack of planning involves. The subject of city planning is to be studied at meetings and every question related to this subject that appears is to be taken up and discussed. Important views will be given publicity.

"Continuing, the letter points out that every organization should be represented and should take its part in the work. In consequence every club is asked to send a delegate who is qualified to become a member of the commission. The most active work will focus in an executive committee. The further aim of the commission is the promotion of art. Communications should be addressed to 212 College Street.

"In a recent appearance before a San Antonio audience, an eminent authority in Texas, Dr. Stockton Axson of Rice Institute, said that just as ‘a people ultimately will get the kind of government they deserve, so will a city eventually get the kind of art it deserves.’ Yet to San Antonio, blessed as it is by nature and a gracious beginning of things beautiful, he gave the warning that it must watch that it does not lose, through inactivity and indifference, that which it now has.

"Miss Eberle is an artist as valuable to San Antonio as she is gifted. It is to be hoped that the cooperation of those citizens who want to see San Antonio develop not along industrially into a great untutored giant but rather into a four square city of attractiveness will cooperate with her so that the city can revive the benefit of her public spiritedness.

"Among the features of the studio tea Tuesday was the following musical program: “The Nightingale” (Liszt) and “The Water Sprites,” played by Miss Eleanor Markennset; “Springtime with You,” and “Daddy’s Sweetheart” sung by Martha Matthews; “Ben Bolt,” sung by Mrs. L. F. Gray."

Article from Houston newspaper, date unknown.

TEXAS WOMAN ON WAY TO FAME IN
WORLD OF ART

Miss Elizabeth Eberle Hopes to Aid in Development of Higher Ideals with Growth of State.

BY MRS. L. T. WORLEY.

My request for an interview was granted, and with a great deal of charm and directness Miss Elizabeth Eberle responded:

“I can save you the trouble of asking. I know what the questions of an interview are:
“ ‘How did I come to take up art?’
“ ‘What have I done?’
“ ‘Why am I here?’
“ ‘What am I going to do?’

“The great joy of living, the intoxication of being one of a mighty people, who have new and higher ideals to give to the world, and the realization that a perfect childhood had left me to see with clear and undulled vision how to point the ideals of stalwart men and women—that made me want to take up art. That was my heritage, and so I could be instrumental in helping higher left through art.

“What have I done?
“I have imagined myself the spirit of art since the first day I opened my eyes to see knowingly. I have comparative insight into practically every phase of art, pursuing through my school years, also at C. I. A., (College of Industrial Arts in Denton, TX) and after that studied at the Chicago Art Institute and under various artists of renown. On my return to Texas, I studied anatomy at the Medical College at Galveston, making thorough and invaluable research into it as it pertains to art. In 1916, I was asked by Lorado Taft to help him to complete his Fountain of Time, the great and unique work which has aroused so much notice. I stayed for over two years and, when the work was completed, returned to San Antonio, the mother of my ambitions.

“I am here because Texas needs me, and it has always been my aim to bring an artistic censorship here, so that we, as a new and undeveloped country, can start with the highest possible artistic standard and that we spend no money uselessly on inferior works of art. I am expecting to go to Europe to study further the public arts, including city planning. Athens, Paris, Spain and the Orient must be visited. We need that information in order to build upon a well-planned foundation, the higher civilization which we are to make through the materialization of our finest ideals and Texas being my home. I shall bring to it all the knowledge I can get.

✧ ✧ ✧

Texas a Producer of Artist Minds.

Look into mediaeval art history, note that most of the great artists were children from the country and, upon entering a city of cultural and artistic centralization like Florence, they, with pure and unduly minds, awoke to a great and overpowering realization that the purity, joy, “sublimity of life” could be immortalized and passed on from generation to generation, stimulating the idle minds of growing children into heroic and artistic effort.

So, Texas is the country, undeveloped, inherent with artistic longing, but with no actual artistic realizations, and completely without opportunities for individual artistic development. But from this vast country came an artist mind, full of the pure joy of living. In Chicago, face to face with the work of Lorado Taft, a vast vision came to her. She, too, was going to pick up the chisel and translate the immortal song into throbbing stone. Thus, works of art are created, and through subconscious illumination bring messages to the world that point the way and keep before humanity its highest ideal.

✧ ✧ ✧

Ideals Expressed Through Art.

Such an awakening stimulated Miss Eberle to produce groups that showed a wonderful wealth of thought and feeling. Such groups as Mother and Child and The Race Mother or A War Time Conception show this strongly.

A War Time Conception won a competition for the World’s Fair. However, through circumstances outside of the competition, Miss Eberle was unable to get it ready to send. The conception is a vast interpretation of all war, of the phenomena of life and death. It is sphinx-like and above all personal feelings and in it lief a great consolation. The thought is unmistakably great, and suggests the sublime mission of sculpture the public art.

This art, above all others, for the very reason of the permanency of the material which it comprises, and because it is for the vast public, generation after generation, should possess exalted meaning. It is an art that can convey a message of moral and philosophic significance, and should be expected to bring such messages as moments of inspiration only will bring to the artist.

Miss Eberle’s War Time Conception has a symbolical and spiritual message; it shows high and singing idealism, that is the kind of art we need, for it is useful. It is art, and particularly the public arts that mold the tastes and standards of growing children.

Critics say that Mother and Child has the same breadth of feeling found in the works of the famous old master, Della Robia. It has a personal touch that just a deep feeling woman can give to such a subject.

Wins at Competitions.

Both of these groups won prizes at competitions in Chicago. Of two subjects they could not be further apart, Mother and Child, personal, exquisite, lovable is a perfect idyll of motherhood. The War Time Conception, a memorial to all fallen heroes of the world, is abstract, broad and sphinx-like; the work makes an appeal of humanity to its beholders; in it is no condemnation or petty hatred; it is as impersonal as life itself.

Miss Eberle has a studio in Chicago where she worked as Lorado Taft’s assistant for over two hears on the Fountain of Time, the colossal work which is now complete and will beautify and advertise the City of Chicago. She is now working in her San Antonio studio at 212 College Street.

Miss Eberle is an artist as sensitive as she is valuable and great work lies ahead of her. Let us hope that Texas will be benefited by her public-spiritedness and artistic insight and knowledge.

Among the features of the studio tea Tuesday was the following musical program: “The Nightingale” (Liszt) and “The Water Sprites,” played by Miss Eleanor Makennset; “Springtime with You,” and “Daddy’s Sweetheart” sung by Martha Matthews; “Ben Bolt,” sung by Mrs. L. F. Gray.

✧ ✧ ✧

The Cameron Herald, (Cameron, Texas) April 15, 1920, Thursday

“Quite recently Cameron has had distinguished visitors in the person of noted sculptors. A few weeks ago Mr. (Enrico Filiberto) Cerrachio of Houston visited the committee for the purpose of securing the order for the bust of the late Mr. Yoe, donor of the new high school. This week we have with us Mr. (Pompeo) Coppini, of Chicago, and Miss Elizabeth Eberle of San Antonio.

“All of these we feel sure can do the work well, but the writer knows Miss Eberle personally. She has a studio both in Chicago and San Antonio, and she studied under the America’s greatest sculptor, Mr. Taft, for five years and assisted him with his million dollar contract to beautify the city of Chicago, assisted him with the colossal and gigantic Fountain of Time.

Curious as to who ultimately received the commission, I contacted the school. Principal Kenneth Driska, Jr. generously provided the following information and photos.

“I am happy to inform you that the busts of both Mr. and Mrs. Yoe do exist and are on our campus today. I have attached photographs of each of them as well as a plaque that hangs with them stating that they were commissioned in 1922 and created by Pompeo Coppini. The busts sit in the foyer of our performing arts center which is attached to the high school. From what I understand, they used to sit out front of the high school that the family paid for back in 1922 (that we now refer to as Old Yoe and is no longer in use), but, when the new school and performing arts center was built in 2004, they were refurbished and moved inside. Apparently there had maybe been some vandalism to them over the years, spray-painted blue and gold by our rival school across the river, one of their noses filed down, etc., but they are in excellent shape now.”

 

Sadly, we see Elizabeth did not get this handsome commission, however, we see below she had others.

Dictionary of the book Arts and Artist in Texas by O’Brien has the following entry for Elizabeth:

“Eberle, Elizabeth Sculptor (created model for Skeezix of the comic strip Gasoline Alley, large medallions for Aquilla Cook Court Building, Omaha, Nebraska and relief sculptures) at San Antonio, Tex., and Chicago. Studies: with Loredo Taft at Chicago (assisted him on sculpture at entrance to Washington Park, Chicago), REF : O’Brien, 254.

From American Arts News, Volume 17, December 1918.

Miss Elizabeth Eberle, sculptress, has returned to spend at least a year doing her part. as she says, in arousing the city to realize its future in the world of art.

The Mexican population is to be encourage in the pursuit of producing pottery, and it is suggested that the Mexican home near the Japanese gardens should be given free of expenses to those accepted with the trade.

In 1915, Lorado Taft asked Miss Eberle to Chicago to help him complete his colossal “Fountain of Time”—the million-dollar fountain. The work having been completed she returned home. Miss Eberle had been in Chicago only a few months when a studio was awarded her as a mark of honor in recognition of her work. Now she is occupying her San Antonio studio and during her stay here she will devote herself to modeling portrait busts.

All artists or students of arts of advance studying, having studied at art schools, are free to use the studio every Saturday afternoon, and this is the group of artist to whom the constructive improvement of the city is a matter of vital interest. The aim of the studio is to have a bulletin of important art news and to exhibit works of art by prominent people.

From the book, Art and Artist of Texas by Esse Forrester O'Brien.

Elizabeth Eberle

A mystic little Miss, dwelling in the realm of imagination, Elizabeth Eberle entertained the neighborhood children with her fanciful fairy stories. As she grew older, she moulded these make-believe characters into clay. It is no wonder, when grown up, she won in competition, producing the best model of Skeezix, the mischievous youngster in the comic strip of Gasoline Alley, published in the “San Antonio Express.” Her Skeezix model was selected as best by the artist creator of Skeezix. This model has been reproduced literally by the thousands in twelve-inch models in plaster of Paris and sold over the country as toys.

This humorous imagination has helped materially in Miss Eberle’s work, stimulating in mature years a rare creative power. She has given her work serious and intensive study. Upon a visit to Chicago, Lorado Taft became interested in her work and secured her as an assistant on his great work, The Fountain of Time at the entrance to Washington Park, Chicago. Later, Miss Eberle completed a constructive course of art work at the College of Industrial Arts, Denton Texas, served as art supervisor in Cincinnati for a year, then returned to San Antonio to devote her entire time to sculpture. Remaining only a short time in San Antonio, she opened a studio on Lake Park Avenue Avenue, Chicago.

A recent commission was the execution of two portrait medallions, three feet in diameter, of George and Aquilla Cook, in the Aquilla Cook Court Building in Omaha, Nebraska. Between these portals is an eagle medallion three feet in diameter. These form an impressive piece of work, a bronze frieze in effect hanging forty feet from the floor in the main entrance to the bank. She was commissioned to do the relief work on the Buehler Memorial in New York City. One of her interesting child pieces is in the Rose Hill Cemetery.
(Ext. Loan Library, University of Texas: San Antonio Express, Feb. 28, 1926.) Lake Park Avenue, Chicago, Illinois.)

The Aquilla Cook Court Building, (now a hotel) was designed in Chicago for Charles and Raymond Cook, Chicago capitalists. It was constructed by Holabird and Rohe, a prominent Chicago architecture firm. It was constructed in 1923.

Elizabeth’s medallions are visible on the entrance in the color picture below.

 

EberleElisabeth, San Antonio; Sculptor, 212 College Street; phone Tr. 4177. ... Art Institute of Chicago; also studied under Sculptors Charles Mulligan, Albin Polasek, Lorado Taft ; assistant of Lorado Taft for two and one-half years. Member of ...

From Standard Blue Book: Texas 1920. page 191

 

 

v v

Elizabeth Eberle Photo and Document Album

Lina Perlitz Romberg and maybe son Arnold Romberg, later a UT professor of physics. Great aunt of Elizabeth Eberle. Tante means aunt, “Ber” was for husband Bernhard to distinguish her from several other Lina Rombergs.
Eberle Daughters: Maybe left is Irmengard, middle is Hulda and at right is Elizabeth..
Elizabeth Eberle
Unknown girl in Hulda Eberle’s photo album. “The Dewey Photo” is on matt. I have seen ads for Dewey Photo Co in Kansas, Missouri and North Carolina newspapers, all around 1900. In that year Hulda would be 8, Elizabeth 6 and Irmengard 2. If one of the girls, it is likely Elizabeth.
Hulda Eberle
Unknown girl in Hulda Eberle’s photo album. Maybe one of the three girls.

Eberle Daughters: Left is Hulda, middle is Irmengard and at right is Elizabeth.
Woman at left maybe their aunt, Elsie Perlitz, with whom they lived.
Photo taken March 15, 1902 at 3019 Main Avenue, San Antonio, TX

Irmengarde, Elizabeth and Hulda Eberle
Eberle Daughters: Left is Hulda, middle is Irmengard and at right is Elizabeth.
Eberle Daughters: Left is Elizabeth, at right is Hulda
Irmengard Eberle, age 6 1/2. ca. 1904. Note bell on the table and cat on the stool. Irmengard seems to be wearing a costume of some type as evidenced by the extension of something under her sleeves at her wrists, maybe an outdoor performance.
Irmengard Eberle
Lina Perlitz, Miss Mizell, Annie Romberg and Unknown little neighbor girl.
Perlitz home in San Antonio where Eberle girls grew up.
Living room of the Perlitz home, the desk in the corner was made by Marcellos Eberle.
Bernhardina Fuchs (1875–1941) daughter of Wilhelm George Fuchs and Louise Helen Elise Romberg. She married Clement Eberling.

Amanda Louise Ebeling (1894–1987), daughter of Clement and Bernhardina Fuchs Ebeliing. Her mother “Dina” at left. Amanda married Walter Bodeman (1889–1973).

Photograph at Bannert House at College of Industrial Arts in Denton, TX. They are clearly in college uniform and working on a project. On the back it said 1915–1916. Irmengard was there during that year. The back also says Puss, Em, and Elinor. Elinor is almost certainly Elinor Eikel from New Braunfels, TX. She was in nearly every club that Irmengard was in at C.I.A. It is highly likely that Em is Emma Mackenson (1896–1933), another classmate at CIT and a relative. Her mother was Anna Catherine Mackensen, sister of Bernhard Mackensen, who married Irmengard’s Aunt Marie Perlitz. Anna married a Benjamin Fuchs. Not sure why Emma went by her mother’s maiden name, even listed on her death certificate. Emma was 3 to 4 years younger than Irmengard, but was at CIT in 1915. She married Erwin A. Beelitz. Two women in photo are not named. Irmengard is at the extreme right. Examining school pictures, Elinor is next too Irmengard and Emma is next to Elinor. In the photos below, we see Irmengard and Elinor Eikel. The one on the porch of Irmengard appear to be also the Bannert House. No identification of Puss. Note: There are Eikels in a Eberle family tree on Ancestry.com, however I don’t know the connection with these Eberles. I believe Elinor Eikel married Ernst Hermann Altgelt in 1921. Emma is also in a photo below. Woman at far left might be Emma MacFarland Humes. All these women were on the yearbook staff and were in the play, “The Merchant of Venice.”
Irmengarde Eberle, College of Industrial Arts in Denton, TX, 1915, fourth from left, bottom row.
Irmengarde Eberle, College of Industrial Arts in Denton, Texas, 1916.
Emma Mackensen, Irmengarde Eberle, College of Industrial Arts in Denton, Texas
Charles August Perlitz (1876–1971), son of Friederich Werner Perlitz (1847–1885). and Anna Lenert Perlitz (1854–1942). Charles’ father was a brother of Carl Perlitz. Carl was the father of Louise Perlitz Eberle, mother of Elizabeth, Irmengard and Hulda Eberle.
Engelbert Eberle (1867–1917) and wife Marie Peters Eberle (?–?). Engelbert was born in Lichtenstein to Florin Anna Monic Kindle. He was a lumber salesman in Taylor, TX. I have not been able to get the connection with Marcelus and Louise Eberle. He was born in Lichtenstein also. He was christened in Kathelisch, Triesen, Lichtenstein. Below is a picture of their daughter Marie Louise (1891–1981). She married Albert Augustus Neubauer in 1911 in Taylor, TX.
Louise Eberle Neubauer
Back of Louise Eberle Neubauer photo
Ella Mackensen, 8 months, ca 1892.
Perlitz-Eberle Home on Laurel Heights in San Antonio, TX
Helene Romberg Mackensen, Francis Marion Romberg (1916-?), and Bernard Romberg, Bernard was Helene's father and Marion was the grandson of Bernard.
Helene Nell Girvin Causey (1915-2004), parents, Fitzhugh and Meta Perlitz Girvin. Here she is with her two daughters, Vickie and Roberta Helen (Kelly) (Oct. 7, 1955). Helen was married to Robert Milton Causey (1910-1972). Meta was aunt of Elizabeth Eberle.
Unknown Woman in Hat, Hulda Eberle's photo album.

Elizabeth Eberle Portfolio

(Nearly all of the pictures were provided by Paula Worgan, grandneice of Elizabeth Eberle )

Bust of Bernhard Ludwig Eckhard Romberg (November 29, 1841–February 17, 1939). Bernhard sister, Friederike Wilhelmine Conradine Romberg was the grandmother of Elizabeth Eberle Schuddemagen, who sculpted the bust. Bernhard was also the father of Professor Arnold Romberg, celebrated physicist at the University of Texas at Austin.(Thanks to Paula Worgan for photo.)

 

Detail of bust of Bernhard Ludwig Eckhard Romberg (November 29, 1841–February 17, 1939). Bernhard sister, Friederike Wilhelmine Conradine Romberg was the grandmother of Elizabeth Eberle Schuddemagen, who sculpted the bust. Bernhard was also the father of Professor Arnold Romberg, celebrated physicist at the University of Texas at Austin. (Thanks to Larry Romberg, great-great-great grandson of Bernhard Romberg.)

 

Detail of bust of Bernhard Ludwig Eckhard Romberg (November 29, 1841–February 17, 1939). Bernhard sister, Friederike Wilhelmine Conradine Romberg was the grandmother of Elizabeth Eberle Schuddemagen, who sculpted the bust. Bernhard was also the father of Professor Arnold Romberg, celebrated physicist at the University of Texas at Austin. (Thanks to Larry Romberg, great-great-great grandson of Bernhard Romberg.)

 

Bust of Otto Mackensen (November 28, 1830–December 25, 1933 age 103). Otto was the father of Bernhard Mackensen who married Marie Perlitz, the aunt of Elizabeth Eberle Schuddemagen, who sculpted the bust. (Thanks to Paula Worgan for photo.)
Bust of Bernhard Ludwig Eckhard Romberg (November 29, 1841–February 17, 1939). Bernhard sister, Friederike Wilhelmine Conradine Romberg was the grandmother of Elizabeth Eberle Schuddemagen, who sculpted the bust. Bernhard was also the father of Professor Arnold Romberg, celebrated physicist at the University of Texas at Austin.(Thanks to Paula Worgan for photo.)

 

Sculpture in Laredo Taft's Studio, Elizabeth Eberle worked there for two and one-half years. It is my belief that this is Elizabeth. Her photo is at right.

 

 

Sculpture in Laredo Taft's Studio, Elizabeth Eberle worked there for two and one-half years. It is my belief that this is Elizabeth. Her photo is at right.

 

 

Elizabeth Eberle Sculpture

 

 

Egyptian Goddess

 

Elizabeth Eberle Sculpture

 

Elizabeth Sculpture

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture of "Pan", for a public drinking fountain in a park, maybe in Chicago.

 

Elizabeth Eberle Sculpture, address is for Loredo Taft's studio, where she was working.

 

Elizabeth Eberle Sculpture, Eagle between portraits on the Aquila Court Bldg, Omaha, NE. 3 ft in diameter.

 

Back of photograph. Address of 6016 Ellis Avenue is that of celebrated sculptor Loredo Taft.

 

Elizabeth Eberle Sculpture, Relief of George Cook on Aquila Court Building, Ohmaha, NB, Diameter 3 ft.

 

Back of photograph.

 

Elizabeth Eberle Sculpture, Relief of Aquila Cook on Aquila Court Bldg., Omaha, NE, 3ft. diameter

 

Back of photograph.

 

Aquila Court Building, Omaha, NE. Note Elizabeth's medallions over windows.

 

Elizabeth Eberle Sculpture

Elizabeth Eberle Sculpture)

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture, from plastic model, Ringling Brothers Barnum & Bailey, 1930

 

Back of photograph.

 

Elizabeth Eberle Sculpture, "Leda"

 

Elizabeth Eberle Sculpture

 

Elizabeth Eberle Sculpture, Panel III, Noah in the arc (sic), sending the pegion to find land. The pigeon with the olive branch, the rainbow representing the promise.

 

Business card.

 

8120 Muskegon Avenue, Chicago, IL, Studio

 

Elizabeth Eberle Sculpture,

Panel V. Represents (a) the Harvest (b) the long period while the Jews were captives in Egypt- Note: The cocoanut palms, The Nile River., The Egyptian Boat, The crocodile, The monkey.

 

Elizabeth Eberle Sculpture

Panel IV Noah and his wife facing the new problems. Note:-The bending trees are cedars of Lebanon.

 

Elizabeth Eberle Sculpture

Panel VI Moses leading the Jews thru the Red Sea. Christianity.

 

Elizabeth Eberle Sculpture

 

 

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